Abstract
In an online study,N = 517 participants rated 48 very short musical stimuli comprised of well-known pop songs with regard to arrangement parameters and cross-modal variables. Identification rates for songs and artists ranged between 0-7%. We observed associations between increasing stimulus durations as well as structural sections (chorus or verse) and detection rates. Analyses of the cross-modal variables revealed a main factor, representing the perceived 'orderliness' of a plink as a strong predictor for title recognition. When psychoacoustic low-level features were entered, Spectral Entropy became the main predictor. The presence of a singing voice additionally seemed to facilitate recognition processes.
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 334-348 |
| Seitenumfang | 15 |
| Fachzeitschrift | Journal of New Music Research |
| Jahrgang | 49 |
| Ausgabenummer | 4 |
| DOIs | |
| Publikationsstatus | Veröffentlicht - 2020 |
ÖFOS 2012
- 103002 Akustik
- 501026 Wahrnehmungspsychologie
- 604024 Musikwissenschaft
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A snippet in a snippet: Development of the Matryoshka principle for the construction of very short musical stimuli (plinks)
Thiesen, F., Kopiez, R., Reuter, C. & Czedik-Eysenberg, I., 2019, in: Musicae Scientiae. S. 1-15 15 S.Veröffentlichungen: Beitrag in Fachzeitschrift › Artikel › Peer Reviewed
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