Abstract
We present a study and reflection about the role and use of smartphone technology for a large-scale musical performance involving audience participation. We evaluated a full design and development process from initial ideation to a final performance concept. We found that the smartphone became the design tool, the technical device and the musical instrument at the same time. As a technical device that uses ultrasound communication as interaction technique, the smartphone became inspirational for the artist's creative work. In aiming to support the artist, we observed pervasive importance of retaining artistic control to realise artistic intent. This concerns the co-design process and the resulting concept of audience participation and supports recommendations for such participatory work.
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 192-207 |
| Seitenumfang | 16 |
| Fachzeitschrift | Journal of New Music Research |
| Jahrgang | 49 |
| Ausgabenummer | 2 |
| DOIs | |
| Publikationsstatus | Veröffentlicht - 9 Feb. 2020 |
Fördermittel
This work was funded by the Austrian Science Fund (FWF) [grant number AR 322-G21]. We thank Chris Bruckmayr, Dietmar Bruckmayr, Geraldine Fitzpatrick, Simon Holland, Susanne Kirchmayr, Johannes Kretz, Uli K\u00FChn, Ruth Mateus-Berr, Hande Saglam, and Thomas Wagensommerer.
ÖFOS 2012
- 102013 Human-Computer Interaction
- 102029 Praktische Informatik
- 604008 Design
- 604038 Digitale Kunst
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