Abstract
The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling--through cultures, media, and disciplines--and the attitude of questioning that has become synonymous with Zuni Icosahedron.
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 137-148 |
| Fachzeitschrift | TDR: The Drama Review |
| Jahrgang | 55 |
| Ausgabenummer | 1 |
| Publikationsstatus | Veröffentlicht - 2011 |
ÖFOS 2012
- 602037 Orientalistik
- 604006 Darstellende Kunst
Fingerprint
Untersuchen Sie die Forschungsthemen von „The Stage as a Drawing Board: Zuni Icosahedron?s Architecture Is Art Festival“. Zusammen bilden sie einen einzigartigen Fingerprint.Zitationsweisen
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver