Sebastian Egenhofer

Publications

Publications per year 1996 1999 2007 2008 2010 2011 2012 2013 2020 2022 2024

• 21 Post in art catalogue or artistic printing
• 15 Chapter
• 15 Book/Film/Event review
• 13 Contribution to proceedings
• 24 More
  • 8 Article
  • 4 Book
  • 3 Proceedings
  • 2 Entry for reference work
  • 2 Other
  • 1 Art catalogue or artistic printing
  • 1 Meeting abstract/Conference paper
  • 1 Review
  • 1 Reprint
  • 1 Translation

Publications per year

Publications per year

Search results

• 2024

  REGENSKULPTUR. ANMERKUNGEN ZUM PFÜTZEN­ ARCHIV VON MIRJA BUSCH

  Egenhofer, S., 2024, Pfützenarchiv. Busch, M. (ed.). vexer verlag gmbh, p. 388-399 11 p.

  Publications: Contribution to book › Chapter

• “Zwischen Prozess und Fetisch. Die Readymades, die Schaufensterscheibe und das Kaleidoskop der Rezeption“

  Egenhofer, S., 2024, Form Matters, Matter Forms. Vom Readymade zum Warenfetisch, : Ausst.-Kat. Kunstmuseum Winterthur, 7.9. – 17.11.2024. Kost, L. (ed.). Snoeck, p. 17-37 20 p.

  Publications: Contribution to book › Chapter
• 2023

  Andy Warhol: Money and Image

  Egenhofer, S., 2023, Ends of Painting:Art in the 1960s and 1970s. Homewood, D. & Lettau, P. (eds.). Sydney: Power Publications, p. 227-248 21 p.

  Publications: Contribution to book › Chapter › Peer Reviewed

• Optics and Humor in the Work of Dan Graham

  Egenhofer, S., 2023, Intermedia. Frohne, U. & DeLue, R. Z. (eds.). Chicago: University of Chicago Press, p. 154-195 41 p.

  Publications: Contribution to book › Chapter › Peer Reviewed
• 2022

  "Anti-Ontologie. Schwarzwalds grafische Methode/Anti Ontology. Schwarzwald Graphic Method

  Egenhofer, S., Mar 2022, Drawn. Schwarzwald, C. (ed.). Berlin: Distanz Verlag, 17 p.

  Publications: Contribution to book › Post in art catalogue or artistic printing

• Das Meer des Tauschs und die Tinte des Gedächtnisses. Marcel Broodthaers Academie I, 1968

  Egenhofer, S., 2022, Zwölf Vorträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: Transcript Verlag, p. 193-222

  Publications: Contribution to book › Chapter › Peer Reviewed

• Helmut Draxler, Die Wahrheit der Niederländischen Malerei: Eine Archäologie der Gegenwartskunst

  Egenhofer, S., Jan 2022, springerin. Hefte für Gegenwartskunst, 01/2022, p. 69.

  Publications: Other contribution to periodical › Book/Film/Event review

• Material and Symbolic Production in Agnes Dene's "Wheatfield-A Confrontation"

  Egenhofer, S., Dec 2022, Broken Relations: Infrastructure, Aesthetics and Critique. Beck, M., von Bismarck, B., Buchmann, S. & Lafer, I. (eds.). Spector Books, p. 173-183

  Publications: Contribution to book › Chapter › Peer Reviewed

• Techniques de la memoire et transmission dans l'oevre de Marcel Broodthaers

  Egenhofer, S., Jan 2022, Repenser le medium: Art contemporain et cinema. Dryansky, L. & SoMayni, A. (eds.). Dijon: Les Presses du Réel, p. 399-418

  Publications: Contribution to book › Chapter › Peer Reviewed

• Techniques de la mémoire et transmission dans l’œuvre de Marcel Broodthaers

  Egenhofer, S., 2022, Repenser le medium. Art contemporain et cinema. Les Presses du Réel, p. 403-422

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed

• The Alphabet and the Sea: On the Topics of Marcel Broodthaers' Oevre

  Egenhofer, S., 2022, Marcel Broodthaers. Programme. Ausstellungen und Werke: Ausstellungskatalog Museum Fridericianum. Pfeffer, S. (ed.). London: Koenig Books, p. 634-647

  Publications: Contribution to book › Post in art catalogue or artistic printing › Peer Reviewed
• 2021

  Swarms and singularities on Teresiña Talarico’s paintings and films

  Egenhofer, S., 2021, Teresiña Talarico. Interlace. König, p. 140-145

  Publications: Contribution to book › Post in art catalogue or artistic printing › Peer Reviewed
• 2020

  Das Alphabet und das Meer. Zur Topik von Marcel Broodthaers’ Werk

  Egenhofer, S., 2020, Marcel Broodthaers. Ausstellungsgeschichte 1964 - 1975 und Ausgewählte Werke 1957 - 1975. Dt: Ausst. Kat. Fridericianum, Kassel. König, p. 634-647

  Publications: Contribution to book › Post in art catalogue or artistic printing › Peer Reviewed

• Ohne natürlichen Horizont: Zur Funktion von Kunst im Anthropozän

  Egenhofer, S., 2020, In: VöKK. 2-3, 20, p. 9-10

  Publications: Contribution to journal › Article › Peer Reviewed

• Respondenz: Bahnfahrt durch Suevien

  Egenhofer, S., 2020, Zeich(n)en.Setzen. : Bedeutungsgenerierung im Mäandern zwischen Bildern und Begriffen. Monika Leisch-Kiesl, M. (ed.). Bielefeld: transkript, p. 141-152

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed

• Ströme, Filter und Sensoren. Alteritätsbezug von Technik und Kunst

  Egenhofer, S., 2020, Milieu Fragmente. Technologische und ästhetische Perspektiven. Ladewig, R. & Seppi, A. (eds.). Leipzig, p. 76-95

  Publications: Contribution to book › Chapter › Peer Reviewed

• The Alphabet and the Sea: On the Topics of Marcel Broodthaers’ Œuvre

  Egenhofer, S., 2020, Marcel Broodthaers: Exhibition History 1964–75 and Selected Works 1957–75: Ausst. Kat. Fridericianum, Kassel. König, p. 634-647

  Publications: Contribution to book › Post in art catalogue or artistic printing › Peer Reviewed
• 2019

  L'horizon de la faim. L'économie de l'excès et du manque de Malévitch

  Egenhofer, S., 2019, La Politique de Malévitch: (Tagungsband der gleichnamigen Konferenz, Dijon, Dez. 2018, in Vorbereitung). Camy, O. & Pichon-Bonin, C. (eds.). Tusson, Charente, p. 153 - 165

  Publications: Contribution to book › Contribution to proceedings
• 2018

  Technik, Rhythmus und Subjektivität in drei Arbeiten von Bruce Nauman

  Egenhofer, S., 2018, Bruce Nauman: A Contemporary. Ehninger, E., Friedli, I. & Venanzoni, M. (eds.). Basel/Münchenstein: Laurenz-Stiftung, Schaulager, p. 165-197

  Publications: Contribution to book › Chapter › Peer Reviewed

• Technique, rhythm and subjectivity in three works by Bruce Nauman

  Egenhofer, S., 2018, Bruce Nauman: A Contemporary. Ehninger, E. & Venanzoni, M. (eds.). Basel/Münchenstein: Laurenz-Stiftung, Schaulager, p. 151-181 30 p.

  Publications: Contribution to book › Chapter › Peer Reviewed

• „Between Fetish and Hardware: The Dialectic of Site‐Specificity in Sam Lewitt’s More Heat than Light,“

  Egenhofer, S., 2018, DeMATERIALISATIONS in Art and Art-Historical Discourse in the Twentieth Century. Proceedings of a conference held in Tomaszowice on 14–16 May 201. Krakau, p. 127-135

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed
• 2017

  Towards an Aesthetic of Production

  Egenhofer, S. & Gussen, J. (Translator), 2017, Zürich, Berlin: Diaphanes. 299 p.

  Publications: Book › Peer Reviewed

• „Grid”

  Egenhofer, S., Reineke, A. (ed.), Röhl, A. (ed.), Kapustka, M. (ed.) & Weddigen, T. (ed.), 2017, Textile Terms: A Glossary. Reineke, A. (ed.). Berlin: Reimer

  Publications: Contribution to book › Entry for reference work › Peer Reviewed
• 2016

  Geld und Bild bei Andy Warhol

  Egenhofer, S., 2016, Einwegbilder . Hinterwaldner, I., V. W. & Hagner, M. (eds.). München: Fink Verlag, p. 109-129

  Publications: Contribution to book › Chapter › Peer Reviewed

• Schrift und Sediment. Figuren der Zeitlichkeit in Marcel Broodthaers´Werk

  Egenhofer, S., 2016, Berlin : De Gruyter. 23 p.

  Publications: Book › Proceedings › Peer Reviewed

• Schrift und Sediment. Figuren der Zeitlichtkeit in Marcel Broothaers´Werk

  Egenhofer, S., 2016, Berlin: De Gruyter. 6 p.

  Publications: Book › Proceedings
• 2014

  „Vom ‚Wunderblock’ zum ‚Wintergarten’. Modelle der Entgegenwärtigung bei Marcel Broodthaers"

  Egenhofer, S., 2014, In: Terpentin.org.

  Publications: Contribution to journal › Review

• „Zwischen Wolke und Palmzweig. Marcel Broodthaers im Museum für Gegenwartskunst, Basel“

  Egenhofer, S., 2014, In: Texte zur Kunst. 95, p. 232-237

  Publications: Contribution to journal › Article › Peer Reviewed
• 2013

  „Immer noch einer von uns? Isabelle Graw befragt Julia Gelshorn, Sebastian Egenhofer, Fiona McGovern und Chris Reitz zur aktuellen Rezeption Martin Kippenbergers“

  Egenhofer, S., Graw, I., Gelshorn, J., McGovern, F. & Reitz, C., 2013, In: Texte zur Kunst. 23, 90, p. 159-179

  Publications: Contribution to journal › Article › Peer Reviewed

• „Theater der Gestalt. Robert Morris und die Grenzen der Phänomenologie“

  Egenhofer, S., 2013, Jenseits der Repräsentation. Körperlichkeiten der Abstraktion in moderner und zeitgenössischer Kunst. Moskatova, O., Reimann, S. & Schönegg, K. (eds.). München : Fink Verlag, p. 211-232

  Publications: Contribution to book › Chapter › Peer Reviewed

• „The Becoming of the Readymade. The concept of the work of art after Duchamp"

  Egenhofer, S., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012. Großmann, G. U. & Krutisch, P. (eds.). Nürnberg: Verlag des Germanischen Nationalmuseums, p. 1228-1230 (Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums, Vol. 32).

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed

• „Zeit, Geld und Materie. Ästhetische Materialität heute“ in: and material and money and crisis, Ausst.-Kat. MuMOK Wien, Köln

  Egenhofer, S., 2013, 43 p. Köln : Verlag der Buchhandlung Walther König.

  Publications: Other publication › Other
• 2012

  Michael Fried: Four Honest Outlaws

  Egenhofer, S., 2012, Sehepunkte: Rezensionsjournal für die Geschichtswissenschaften, 12, 9.

  Publications: Other contribution to periodical › Book/Film/Event review

• Notes on the Ontology of the Image

  Egenhofer, S., 2012, What Is an Image? The Stone Art Theory Institutes. Elkins, J. & Naef, M. (eds.). University Park (PA): The Pennsylvania State University Press, Vol. Vol 2. p. 186-190 5 p.

  Publications: Contribution to book › Contribution to proceedings

• Präsenz des Unpersönlichen / Presence of the Impersonal: Das Porträt bei Warhol / Warhol's Portraits

  Translated title of the contribution: Presence of the Impersonal: Warhol's PortraitsEgenhofer, S., 2012, Jüdische Genies. Warhols Juden: Ausst.-Kat. Jüdisches Museum Wien. Wien: Unknown publisher, p. 10-16 7 p.

  Publications: Contribution to book › Post in art catalogue or artistic printing

• „Die irreduzible Modalität der Fiktion. Marcel Broodthaers, Ein Wintergarten“

  Egenhofer, S., 2012, Was ist ein Bild? Antworten in Bildern. Gottfried Boehm zum 70. Geburtstag. Hinterwaldner, I. & Spies, C. (eds.). München : Fink Verlag, p. 123-125

  Publications: Contribution to book › Chapter › Peer Reviewed

• „For a Topic of Counterproduction“, in: Counter-Production, Online-Publikation zur Ausst. Counter-Production, Generali Foundation

  Egenhofer, S., 2012, Wien : Generali Foundation Wien .

  Publications: Other publication › Other

• „Grund und Territorium bei Hercules Segers"

  Egenhofer, S., 2012, Der Grund. Das Feld des Sichbaren. Burioni, M. & Boehm, G. (eds.). München : Fink Verlag, p. 250-276

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed

• „Leerdeklinationen von Malerei. Christopher Wool im Musée d’Art Moderne de la Ville de Paris“

  Egenhofer, S., 2012, In: Texte zur Kunst. 22, 88, p. 196-199

  Publications: Contribution to journal › Meeting abstract/Conference paper › Peer Reviewed

• „Subject Formation and Spectacle Critique in Paul McCarthy’s Work“

  Egenhofer, S., 2012, Objets en procès. Après la dématérialisation de l’art, 1960-2010. Parvu, I. (ed.). Genf: Métis Presses, p. 125-142

  Publications: Contribution to book › Contribution to proceedings › Peer Reviewed
• 2011

  Aesthetic materiality in conceptualism

  Egenhofer, S., 2011, Aesthetics and Contemporary Art. Avanessian, A. & Skrebowski, L. (eds.). Berlin: Sternberg Press, p. 87-99 13 p.

  Publications: Contribution to book › Contribution to proceedings

• Firgures of Defiguration: Four theses on abstraction

  Egenhofer, S., 2011, 9 p. MIT Press.

  Publications: Other publication › Reprint

• Für eine Topik der Bildkritik

  Egenhofer, S., 2011, In: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft. p. 143-150 8 p.

  Publications: Contribution to journal › Article › Peer Reviewed

• Image and Machine: Introduction to Thomas Hirschhorn's Spinzoa Monument

  Egenhofer, S., 2011, Spinoza Now. Vardoulakis, D. (ed.). Minneapolis: Univ. of Minnesota Press, p. 237-261 25 p.

  Publications: Contribution to book › Contribution to proceedings

• Reproduktion und Wiederholung / Reproduction and Repetition

  Translated title of the contribution: Reproduction and RepetitionEgenhofer, S., 2011, SO MACHEN WIR ES. Techniken und Ästhetik der Aneignung. Von Ei Arakawa bis Andy Warhol. Ausst.-Kat. Kunsthaus Bregenz (16.4.-3.7. 2011). Dziewior, Y. (ed.). Köln: Verlag der Buchhandlung Walther König, p. 30-45 16 p.

  Publications: Contribution to book › Post in art catalogue or artistic printing

• What is political about Hirschhorn's Art

  Egenhofer, S., 2011, Critical Corpus, Biennale Venedig 2011. Hirschhorn, T. (ed.). Zürich: JRP/Ringier, p. 99-123 25 p.

  Publications: Contribution to book › Post in art catalogue or artistic printing

• „Bild/Träger“

  Egenhofer, S., 19 Oct 2011, In: Rheinsprung 11. Zeitschrift für Bildkritik. 11, 2, p. 200-207

  Publications: Contribution to journal › Article
• 2010

  Christian Schwarzwald, Manual. Werke/Works 2000-2010 / Christian Schwarzwald, Manual.Werke/Works 2000-2010

  Translated title of the contribution: Christian Schwarzwald, Manual. Werke/Works 2000-2010Egenhofer, S. & Schwarzwald, C., 2010, Extra Verlag.

  Publications: Book › Art catalogue or artistic printing

• Produktionsästhetik

  Egenhofer, S., 2010, Diaphanes.

  Publications: Book

• Subjectivity and the Production of Meaning in Warhol's Early Work

  Egenhofer, S., 2010, Andy Warhol. The Early Sixties, Ausst.-Kat. Kunstmuseum Basel (5. Sept. - 23. Jan. 2011). Bürgi, M. & Zimmer, N. (eds.). Ostfildern: Hatje Cantz, p. 32 1 p.

  Publications: Contribution to book › Post in art catalogue or artistic printing