Abstract
In John 20:11-18, Mary Magdalene meets Jesus after his death. She turns around twice, a double gesture that has puzzled New Testament scholars. In this article, I offer a performative reading of Mary Magdalene's turns based on Judith Butler's theory of gesture and the literary inventory of ancient recognition scenes. I argue that the double gesture does not emphasize the difference between a physical and an inner status of recognition. Instead, it is conceived as a non-identical repetition or quotation. It points to other turnings and other duplicities. Both turns are part of a performative process that unfolds the new identities of the main characters after their separation. Mary is not portrayed as a misunderstanding disciple who needs two turns to recognize Jesus, but as part of a reciprocal process that mirrors Jesus' double appearance and the text's double layers of meaning.
| Original language | English |
|---|---|
| Pages (from-to) | 522-541 |
| Number of pages | 20 |
| Journal | Interdisciplinary Journal for Religion and Transformation in Contemporary Society |
| Volume | 10 |
| Issue number | 2 |
| DOIs | |
| Publication status | E-pub ahead of print - May 2024 |
Austrian Fields of Science 2012
- 603214 New testament studies
Keywords
- Judith Butler
- recognition
- John 20:11-18
- performativity
- gesture
- Mary Magdalene
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