Kṛṣṇacaryāpādasya Dohākoṣaṭīke: A Study of its Commentaries: Edited, Translated, and Annotated, together with a Survey of his Life and Works and a Study on the Dohā as a Literary Genre

Dohās, vajragīti, and caryāgīti are key terms associated with the poetic writings of the Mahāsiddhas. This study focuses on Apabhraṃśa dohās, their commentaries, Tibetan translations, and collections containing them, shedding light on previously neglected aspects of this text type. By investigating the historical and original contexts of these three terms and comparing them to their later applications in traditional contexts and academia, this paper argues against the prevailing notion that they are genetically distinct and that this text type is primarily defined by orality and spontaneity. Consequently, it challenges the romanticized myth of certain origin narratives, such as student–teacher encounters. Instead, this brief presentation demonstrates that the often-repeated stereotypical definitions of these terms should be largely rejected, as they are merely different labels for the same text type with blurred and ill-defined subcategories. The analysis of primary sources reveals that various facets, e.g., compilation (an important but neglected aspect), go beyond the strongly emphasized oral component of this text type, thereby leading to the inaccurate definitions of the terms. In conclusion, intertextuality, compilation, and assigned authorship are crucial yet overlooked elements in defining the text type and understanding its function.