Sonorous materiality of analogue film

In this article, I represent film materiality's sensory and ecological aspects through the sounds I recorded during my ethnographic fieldwork on contemporary analogue film practices. By re-listening to the recorded sounds without visual references, I explore the multisensory and aesthetic relationships that human actors have with the film material, and what nonhuman actors have to say about their material causality in these soundscapes. By shifting the focus from the visuality of the film to the sonority of the film material, I explore the potential of sonically observing the media materiality.