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What Can Happen When We Look at Art? An Exploratory Network Model and Latent Profile Analysis of Affective/Cognitive Aspects Underlying Shared, Supraordinate Responses to Museum Visual Art

Publications: Contribution to journalArticlePeer Reviewed

Abstract

Art-viewing is a defining component of society and culture, in part because the experience involves a wide-range and nuanced configuration of emotional and cognitive responses. Precisely because of this complexity, however, questions of the actual nature, scope, and variety of art experience remain largely unanswered: what kinds of patterns do we exhibit, how do various components go together, and can these be distilled into shared experiential outcomes? We introduce an exploratory study based on 345 individuals’ unique experiences with one of three sets of artworks. Experiences were assessed via 46 affective and cognitive items based on a recent model, with individuals reporting to what degree they felt each during their encounter. Network and latent profile analyses revealed five patterns, aligning to a Harmonious, Facile, Transformative, and two Negative outcomes. These largely supported model hypotheses, connected to specific appraisals, and could be found, although with varying probability, across individual viewers and artworks.
Original languageEnglish
Pages (from-to)827-876
Number of pages50
JournalEmpirical Studies of the Arts
Volume43
Issue number2
DOIs
Publication statusPublished - Jul 2025

Funding

The authors disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The writing of this paper was supported by a grant to MP and JF from the EU Horizon 2020 TRANSFORMATIONS-17-2019, Societal Challenges and the Arts (870827 — ARTIS, Art and Research on Transformations of Individuals of Society). We would like to thank the Albertina Museum and specifically its director of Marketing and Communication, Verena Dahlitz, as well as Katharina Unger for their willingness to provide us with wonderful access and for their trust and collaboration. We would also like to thank the students and staff of the Empirical Visual Aesthetics (EVA) Lab for their help with data collection. The authors disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The writing of this paper was supported by a grant to MP and JF from the EU Horizon 2020 TRANSFORMATIONS-17-2019, Societal Challenges and the Arts (870827 — ARTIS, Art and Research on Transformations of Individuals of Society).

FundersFunder number
HORIZON EUROPE Framework Programme870827

    Austrian Fields of Science 2012

    • 501002 Applied psychology
    • 501032 Emotional psychology
    • 501011 Cognitive psychology
    • 604020 Art theory

    Keywords

    • art experience
    • latent profile analysis
    • museum studies
    • network model

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